No Self is a symbolic-alignment apparatus. Through infrastructural geometry, it flips the interface from tool into order itself: an equidistant circular array, axial lines, and imperative text compose a cold perceptual system. Sub-bass fields and high-intensity strobe conscript the senses and bodily rhythms into a recursive loop—drawn in, pressurized, driven toward threshold. Here, industrial form is no longer mere material but the grammar of structural power, staging the subject-position of rule and sign.

Working across the macro-symbolic and the micro-perceptual, No Self deploys a calibrated ecology of sensation, algorithmic control, and physical force. It invites viewers to enact—with their own bodies—the process by which the individual is aligned and integrated into overpowering systems until personal boundaries dissolve, provoking sustained reflection.